FAREWELL 2019 & HELLO TRUMP2020!!!
With over 2 million views and strong channel growth in 2019, YG Nyghtstorm says THANK YOU to his subscribers and prepares for an incredible new year in pushing President Trump to victory in 2020. THIS IS GOING TO BE EPIC!!!!!
Wild Thing’s comment.…….
God Bless you and your family and keep you safe
The Strange Woman (1946)
“The Strange Woman” is an American film directed by Edgar G. Ulmer, starring Hedy Lamarr, and released by United Artists. An unscrupulous 19th-century woman will stop at nothing to control the men in her life. —
Directed by Edgar G. Ulmer, produced by Jack Chertok (producer), Hedy Lamarr (executive producer), Eugen Schüfftan (producer) and Hunt Stromberg (executive producer), written by Ben Ames Williams (novel), Herb Meadow (screenplay), Hunt Stromberg (writer) and Edgar G. Ulmer (writer), starring Hedy Lamarr as Jenny Hager, George Sanders as John Evered, Louis Hayward as Ephraim Poster, Hillary Brooke as Meg Saladine and Gene Lockhart as Isaiah Poster.
Port of New York (1949)
“Port of New York” is a 1949 film shot in semidocumentary style. The film is notable for being Yul Brynner’s first movie. He had not begun shaving his hair yet. The film, which is very similar to T-Men (1947), was shot on location in New York City. The movie was directed by László Benedek with cinematography by George E. Diskant.
The film tells the story of a two federal agents, one from Customs and one from Narcotics, out to stop the distribution of opium that came in on a ship in the Port of New York but was smuggled off by drug dealers. The leader of the drug dealers is the suave Vicola (Brynner). —
Directed by László Benedek, produced by Aubrey Schenck, written by Eugene Ling (screenplay) and Bert Murray (story), starring Scott Brady as Michael ‘Mickey’ Waters, Richard Rober as Jim Flannery, K.T. Stevens as Toni Cardell and Yul Brynner as Paul Vicola.
Vatican tribunal overwhelmed by clergy sex abuse abuse cases
The Vatican office responsible for investigating clergy sex abuse cases says it is overwhelmed. The tribunal has long been a secretive branch of the Vatican.
The Chase (1946) is an American film noir, shot in black and white, directed by Arthur Ripley. The screenplay (adapted by Philip Yordan) is based on the Cornell Woolrich novel The Black Path of Fear.
This dream-like film noir is about Chuck Scott (Robert Cummings), a World War II vet now a penniless drifter tormented by bizarre dreams, who takes a job as driver to Eddie Roman (Steve Cochran), a vicious gangster. Roman tests his new driver, Scott, by assuming control of his car from the back seat. Unbeknownst to Scott, Roman has an accelerator installed in the rear passenger compartment so that he can “take over” the vehicle whenever he wants. This bizarre trick not only unnerves his new driver but also Roman’s right-hand man, Gino (Peter Lorre).
Scott passes the test and gets the job. But things get tough for Scott when he falls in love with the gangster’s wife, Lorna (Michele Morgan), who has attempted to kill herself because life has become unbearable with her sadistic husband. The two run off together to Cuba and a bizarre chase begins wherein Scott is framed for a murder and must therefore avoid both Roman and the police. Finally, at a point when Scott is able to clear his name, he is thrown back into the nightmare in a surprising twist. —
Directed by Arthur Ripley, produced by Seymour Nebenzal, screenplay by Philip Yordan, story by Cornell Woolrich (novel “The Black Path of Fear”), starring Robert Cummings, Michèle Morgan, Steve Cochran.
Recent Comments